Skip to main content

Broomhill National Sculpture Prize - Intention & Evaluation


When i registered my interest in Broomhill Nation Sculpture Prize i initially intend to submit a tree in metal but soon realising that i wouldn't be able to finish it too a high standard. This left me with a competition i had paid for but nothing to submit. I had been thinking about presenting upturned tree roots however the possibility of sourcing one has proved to be rather difficult and i have since steered away from this as a possible venture. 

Not wanting to not submit anything at all i have decided to submit the piece i intent to make for the degree show. Weighing up the time i have to make everything means highlights that there wouldn't be enough time to create a brand new sculpture as well as making my degree piece as well as other works. For the submission i had to decide whether i was going to somehow make the vitrine water proof or if i could submit the ivy itself and maybe incorporate it into a new sculpture or straight into nature itself. after evaluation i realised that having the vitrine outside just wouldn't be practical meaning i needed to come up with a different way of displaying the ivy. 

My work has often looked at connecting the natural with the man made. This gave me the idea of having the bronze ivy within real ivy. To make this a possibility i would either need to plant the ivy or find already established ivy, both of these options would result in the ivy being perceived in a different way. Planting the ivy the same time as the bronze would initially place the bronze as i more 'trophy-ed' state but as the ivy would grow it would take over the bronze and most likely be forgotten. Thus connoting the notion that this 'prized' man made material is lost to nature its original source, natural beauty wins in the end over artificial. Their is also factors of the ivy possibly dying and the bronze looking out of place because of this.  

For these reasons i have decided to submit that i want the bronze ivy inserted into some ivy that is already established. This will allow the ivy to blend more naturally into the leaves and create a sense of mystery and inquisitiveness as the audience will need to get close to be able to inspect the leaves more closely, identifying it as bronze. 

Looking at works previously submitted to Broomhill it is apparent that what i have submitted isn't something they would usually go for as it is a small piece likely to blend in to the background. My initial idea for the submission would have been much more suited. As a result of this i don't feel that confident in my submission but only time will tell. 




Comments

Popular posts from this blog

Teach First Application - LO6 - Evidence

Evidence in LO6 Folder Application Process Sections to the application: ·          Registration ·          Pre-university academics ·          University academics ·          Competency questions ·          Situational judgement test ·          Supporting information ·          Programme preferences Registration Within the registration process I uploaded my basic information allowing them to contact me with possible job opportunities. This information was things such as name, address and contact details. Pre-University academics ·          A Level, As Level & UK equivalent ·          GCSEs, IGSCEs or UK equivalent ·          O-levels, other UK, or non-UK qualifications University academics ·          First degree studied ·          Modules                                         Competency questions Each question below had to be answered in 250 words or less.     Understanding and motivation Wh

Abramovic Case Study - Research & Evaluation

Performance artist Marina Abramovic adopts a territory where both audience and artist coincide throughout the entirety of her performance. Abramovic’s early career commenced during the 1970’s an era where performance art was ridiculed, only fuelling her aspirations to prove critics wrong. Abramovic’s rhythm series, which constitutes of five individual performances from 1973 to 1974, scrutinizes the tensions between abandonment and control. At the forefront of Abramovic’s rhythm series is Rhythm 10 (Abramovic, M. 1973). Rhythm 10 consisted of Abramovic recording herself stabbing between the fingers of her left hand with 10 knives, as fast as she could; changing knives every time she cut herself. When all knives were used Abramovic would rewind the tape and playing it back, she then began re-performing the actions to the rhythm of the tape. Abramovic wilfully or not, subjected her performance to a rhythm over which she had limited control. Abramovic claims each cut manifesting itse

Bishops Art Prize what i am proposing - reflection & critical evaluation

Having not know what i was going to produce for the bishops art prize for most of this unit i am extremely happy with the outcome i have produce. I wanted to carry on developing my practise by exploring different casting styles which is exactly what i have done.  When i first brought the idea to the 3D workshop technicians they dismissed the possibilities of casting an organic form in concrete. Not wanting to fall at the first hurdle i began researching to see if anything like this has been done before with not much luck. After having further discussions with the technicians and drawing up possible options we came up with a process that seemed to be the most logical. At first i present the technicians with rather complicated plants to mould - this was a result of me not knowing the mould making process for silicone moulds and thus had to go back and get some organic material that was a lot easier suited to the casting process. Still not knowing for sure if the mould would work