Skip to main content

Welding - Reflection & Documentation


My initial thought process for the degree show was that i was wanting to make a tree out of an unnatural material. This lead me to exploring the possibilities of making a tree from metal rods. Firstly starting off by forming the trunk which proved extremely challenging to then trailing branches. My skills in welding however didn't improve with practise. Starting off doing practise welds wasn't too bad but it was soon as i had to attached one piece to another. With it being so hot the welds would often melt the rods and snap off or look incredibly haphazard. Practising over a course of a few weeks showed no sign of improvement and i felt that maybe welding just wasn't for me. I would say that i am a perfectionist and enjoy taking my time with delicate procedures however welding was a quick process that i just couldn't get perfect. i made the decision to stop welding and explore new possible avenues as welding was going to take too long before i had perfected it.


Practise welds
Failed weld 

messy weld

different sized rods don't flow nicely together

Thicker rod welded to flow into a thinner sized rod (best weld i produced)

Previously when looking at trees i was extremely interested in the roots and what properties they held. This all stemmed from the ginkgo tree and how the roots of the ginkgo tree were the reason they survived the Hiroshima bombs. How could i investigate roots without welding? What is the reason for making a natural form and making it out of a man-made material? Instead of remaking an object out of a different material i could possibly start by exploring the roots themselves, looking at their natural beauty. 

Comments

Popular posts from this blog

Teach First Application - LO6 - Evidence

Evidence in LO6 Folder Application Process Sections to the application: ·          Registration ·          Pre-university academics ·          University academics ·          Competency questions ·          Situational judgement test ·          Supporting information ·          Programme preferences Registration Within the registration process I uploaded my basic information allowing them to contact me with possible job opportunities. This information was things such as name, address and contact details. Pre-University academics ·          A Level, As Level & UK equivalent ·          GCSEs, IGSCEs or UK equivalent ·          O-levels, other UK, or non-UK qualifications University academics ·          First degree studied ·          Modules                                         Competency questions Each question below had to be answered in 250 words or less.     Understanding and motivation Wh

Abramovic Case Study - Research & Evaluation

Performance artist Marina Abramovic adopts a territory where both audience and artist coincide throughout the entirety of her performance. Abramovic’s early career commenced during the 1970’s an era where performance art was ridiculed, only fuelling her aspirations to prove critics wrong. Abramovic’s rhythm series, which constitutes of five individual performances from 1973 to 1974, scrutinizes the tensions between abandonment and control. At the forefront of Abramovic’s rhythm series is Rhythm 10 (Abramovic, M. 1973). Rhythm 10 consisted of Abramovic recording herself stabbing between the fingers of her left hand with 10 knives, as fast as she could; changing knives every time she cut herself. When all knives were used Abramovic would rewind the tape and playing it back, she then began re-performing the actions to the rhythm of the tape. Abramovic wilfully or not, subjected her performance to a rhythm over which she had limited control. Abramovic claims each cut manifesting itse

Bishops Art Prize what i am proposing - reflection & critical evaluation

Having not know what i was going to produce for the bishops art prize for most of this unit i am extremely happy with the outcome i have produce. I wanted to carry on developing my practise by exploring different casting styles which is exactly what i have done.  When i first brought the idea to the 3D workshop technicians they dismissed the possibilities of casting an organic form in concrete. Not wanting to fall at the first hurdle i began researching to see if anything like this has been done before with not much luck. After having further discussions with the technicians and drawing up possible options we came up with a process that seemed to be the most logical. At first i present the technicians with rather complicated plants to mould - this was a result of me not knowing the mould making process for silicone moulds and thus had to go back and get some organic material that was a lot easier suited to the casting process. Still not knowing for sure if the mould would work